Category Archives: GeneraLee Speaking

Save Syracuse Symphony

Save Syracuse Symphony

As if I could have planned yet another distress call in the arts when I posted my previous article on problems in the arts, there’s more sad news from the Syracuse Symphony Orchestra, NY.  They announced an emergency campaign to raise $1.75 million by the end of the 2010-2011 season, with the first $375,000 needed by the end of this week for emergency cash flow, or they will be forced to end their current season four months early.  Read the full announcement here: 

Syracuse Symphony Orchestra launches campaign seeking public donations to keep the music playing | syracuse.com.

This comes in the midst of its 50th anniversary season, which includes a scheduled performance by cellist Yo-Yo Ma in April. 

Ouch.  The SSO has performed in Carnegie Hall numerous times with great success. Music Director Daniel Hege is a gifted conductor, whom I’ve had the pleasure of meeting at my former post in Annapolis. 

This is a respected regional orchestra in the midst of a a celebratory, golden jubilee season, complete with a performance scheduled with Yo-Yo Ma.  (Mr. Ma is well known for being a cash cow for orchestras, usually selling out the hall at a premium ticket price, which I’m certain has been factored into the current tally). I note that the $1.75 million they need by August 1 is 25% of the orchestra’s 2010-2011 budget of $6.9 million.  This is serious.

He [board chair, Mr. Mangano] acknowledged the orchestra has been running deficit budgets for the last three years.

A structural deficit is really where the rubber meets the road in terms of capitalization. An orchestra with no available cash reserve or long-term invested capital is forced to weather “a perfect economic storm” without a safety net.  Eventually, sizable annual shortfalls add up to the point that cash flow can’t keep pace. 

I also note that this is not this organization’s first time at the dangerous rodeo:   

The SSO was forced to shutter its operation in 1992 and ended its season four months early. In August, the SSO board conducted several fundraising campaigns. A $500,000 campaign was initiated for this season and $156,000 has been raised. 

The SSO is roughly in the middle of its season, and has only raised 31% of its $500,000 goal.  I really hope that this community will step forward and help this orchestra.

The SSO board raised $900,000 from its personal accounts over three years and $1.4 million in donations to cover the gap in expenses and revenues for the last three seasons. Donations for 2009 totaled $1.92 million and $1.93 million for 2010.

If board members increased their donations in 2010 by an extra $100,000 over 2009, this board is definitely leading by example.  If I calculate correctly, according to the article, the board has given 64% of the $156,000 raised to date in 2010, as previously cited.  Most boards give at or around 20% of the annual fund.

SSO leaders are citing very common concerns: donor fatigue, the economy, declining attendance, evolving cultural tastes, and the Collective Bargaining Agreement with its musicians, all as influential factors contributing to this crisis.  Cuts have been made. Hiring is frozen (though interestingly, open positions include a permanent Executive Director and directors for advancement and patron development positions. Those sound like pretty important  key positions for an orchestra that needs to fundraise aggressively.)  No doubt, this orchestra is in crisis.     

There’s more.  There are some interesting ideas on the Syracuse Post-Standard’s companion article on Ideas to Save the Syracuse Symphony, including heartfelt ideas from community members.

The article does not mention whether the orchestra has an endowment fund.   But with the orchestra providing over $20 million in economic impact to Syracuse, New York, a community investment of only $6.9 million generates a phenomenal return.

 I’m including the video that SSO leaders posted on YouTube.  If anyone out there is able and so moved, help this orchestra keep the music playing!

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Let’s Get This Party Started

Let’s Get This Party Started

I’d like to extend a warm welcome to visitors, friends old and new, to my new web site and blog.   Thanks to the incredible technical magic of WordPress, I’m excited about the new look and format, and to start writing again to share my thoughts and ideas about the arts and  life in general.

Though I’ve not blogged for a while, I certainly haven’t stopped paying close attention to what is happening in the arts world.  Over the past couple of years, I’ve been doing constant reading and research in the arts field, as well as working behind the scenes.   Unarguably, I’m aware of what a tumultous time it is for the arts sector today, but I’m also optimistic about the future.  

So… let’s get this party started! Here are some of the interesting things I’ve been following lately:

Three respected orchestras have fallen victim to disastrous events in the last year: the tragic closing of the Honolulu Symphony, contentious bankruptcy proceedings in Louisville, and the ugly and very public fight in Detroit.  These are very sad events impacting three communities, as well as reflecting negatively upon the orchestral field nationally.

The Virginia Opera board recently fired its founding director, a tenured impresario whom, in response to his sudden dismissal, has lifted a proverbial middle finger back at his former employer. Peter Mark announced he is founding a new operatic enterprise of his own in the VO’s back yard, with the backing of a number of their former wealthy supporters and artists.  I think there’s quite a tasty, if nasty, story brewing down there, and issues raised that are worth talking about.

According to the 2010 National Arts Index published by Americans for the Arts, just released, the health of the American arts sector reached a twelve-year low in 2009.  The report states that the vitality of the arts sector dropped a record number of points, with losses between 2007 and 2009 nearly double the gains made from 2003 to 2007.  Certainly this is disturbing news, but yet the number of non-profit arts organizations grew by 3,000 during this same period of study.  Go figure!  The report also indicates that 41% of arts organizations reporting to the IRS in 2009 failed to achieve a balanced budget, up from 36% in 2008.  So not only are arts organizations continuing to struggle to make ends meet, they are competing with even more new arts organizations for increasingly limited resources.

Let’s not forget the commercial side of the arts, either.  Have you paid attention to what is happening on Broadway with Spiderman: Turn Off the Dark?  It’s starting to sound like Spiderman: Quick! Shhhh! Let’s Sell Enough Tickets In Previews to Pay for This Deathtrap Before Someone Gets Killed.  Yet who can help but wonder what Julie Taymor, a brilliant, celebrated  theatre artist, and her U2 collaborators will ultimately reveal in New York?  So far, Oprah says it’s going to be great, so we should all go now!

A few positive notes are in order.  The Metropolitan Opera, Los Angeles Philharmonic, and other producers, are reaching new audiences through the power of Hi-Def satellite broadcasting at movie theatres around the world. While the Met’s groundbreaking cinematic venture is not breaking news, the LA Phil just launched their new series this month.  The jury may still be out on its success.  I’m a supremely satisfied subscriber to the stellar Met broadcasts at my local movie theatre in South Bend, and I heard the 25th Anniversary of Les Miz in Concert from London (a brilliant experience, except for Nick Jonas as Marius, but I won’t digress here).  Regrettably, the LA Phil is only in select markets for now.  But I’m watching this buzz to see what happens next.

The New World Symphony, America’s only orchestra academy, opens its New World Center concert hall this week in the center of Miami Beach, designed by none other than the visionary Frank Gehry.  If you’ve ever attended a concert by the LA Phil in Gehry’s phenomenal Disney Hall, this event should be enough to book your vacation to Florida today. 

The innovative YouTube Symphony  concept is preparing for a second 2011 ‘season’ this March.  This project has been an interesting global cultural phenomenon.

These tidbits are just a few of the things happening in the arts that have sparked my attention recently.  I’m finding so many fascinating stories – even if some of it is sad or disappointing — I feel compelled to write about them once again. 

I prefer to think that I’m writing this blog to help contribute to the dialogue in the arts.  I still believe that the arts are a vital part of society, but the sector needs more help to stay relevant and alive.  I do not believe that live classical music, opera, theatre, or dance, are dead.  I do believe that the power of creativity that inspires artists to achieve excellence can also be used to forge new entrepreneurial ideas for the arts as an industry.

Thanks again for reading. I hope you’ll come back, and share your comments.

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